Storyboard

If it’s the last thing I do! The world’s most famous crook! He is the captain of a crew of pirates aboard the Jolly Roger and the archenemy of Peter Pan. Captain Hook has long since abandoned sailing the high seas in favor of having revenge on Peter Pan for cutting off his left hand and feeding it to Tick-Tock, considering it, by Mr. Smee , a “childish prank”. While a worthy opponent for Peter Pan, Hook is destined to fail, sometimes because of Peter Pan’s ability to fly, but more often through the bumbling actions of his first mate, Mr. Smee, who while unquestioningly faithful to the Captain, is incompetent and dim-witted. Hook ends up fleeing for his life from the Crocodile, of whom he is understandably terrified. Hook’s frustrations are understandable; he lost a hand to his opponent, is constantly pursued by the crocodile and cannot fly.

Tick-Tock the Crocodile

Tick-Tock the Crocodile better known as just the Crocodile is a supporting character in Disney ‘s animated feature, Peter Pan. Contents [ show ] Background Tick-Tock was born several years before the events of Peter Pan, hatching on the shores of Neverland. He was adopted by a fairy named Rosetta , an early ally of Peter Pan’s pixie companion Tinker Bell , whom he mistook for his mother. Not long after being born, the young crocodile found himself aboard the ship of a young pirate captain named James, who would one day become the feared Captain Hook.

The Thief and the Cobbler (also The Princess and the Cobbler, or Arabian Knight, depending on which version you’re watching) is a legendary attempt by master animator Richard Williams to create the greatest animated feature ever. At more than 30 years, it holds the record for the longest production time for a motion picture – much of it spent in Development Hell.

The Snow White and the Seven Dwarfs of computer animation and therefore an extraordinarily influential part of The Renaissance Age of Animation , Toy Story is a renowned film from Pixar about toys that come to life when their owners aren’t around. It is the first installment of the titular film series and it has spawned two successful sequels, one in and the other in A third sequel, Toy Story 4 , is scheduled for a release.

Toy Story introduces us to a group of toys belonging to a boy named Andy. Their unofficial leader is Andy’s favorite toy, Woody, an old cowboy doll with a pull-string vocalizer. Woody receives some competition when Andy gets a new toy for his birthday, ” Buzz Lightyear of Star Command “, who thinks he’s really a soldier of Star Command rather than a toy. His undoubted leadership qualities and up-to-date modernity arouse jealousy in Woody; when Buzz is ” accidentally ” lost, the other toys think Woody masterminded the disappearance.

Hijinks ensue, and Woody and Buzz have a final confrontation that forces both of them to join forces to keep the toy “family” together.

Captain Hook

This handy bit of Applied Phlebotinum can deploy a grappling hook with laser-guided precision to a secure holding point at the top of any tall building, allowing its user to climb with ease. Particularly spiffy examples are equipped with motors, and can function as field-expedient elevators as their users hold on for dear life. It can also be used to implement the Building Swing , though its primary function is usually just for climbing.

In settings that predate firearms the alternative is the grappling arrow used by bow wielding protagonists.

You have crash-landed on an alien ocean world, and the only way to go is down. Descend into the depths of a vast underwater world filled with wonder and peril.

In the film, Captain Hook’s treasure was taken by Peter Pan as a prank. To get is back, Hook needed a way to ally himself with the film’s protagonist Jane who would be able to get it for him. In order to do so, he claimed he wanted the treasure so that he can return home to his mother. He pulls out a locket with a portrait of her. In ” Jake’s Starfish Search “, Hook and Smee were putting up a portrait of Mama Hook and, judging by the conversation, she has passed away.

Here, it was revealed that Mama Hook was once queen of the Never Sea and a magnificent pirate. She was able to find all and any treasure she dared to. One day, Mama Hook visits her son to embark on a treasure hunt with him so that she can witness how spectacular he is as a pirate captain. However, Hook secretly has no idea where to find the treasure but pretends to so his mother wouldn’t be upset.

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Version 2 Introduction Joan Ganz Cooney discusses the goals of Sesame Street and roughly describes what will be included. She notes the fact that real people will be used on the actual show to “set each segment in the proper learning context,” and the use of fast-moving, repeated elements. A blackboard is prominent; through the course of the reel, markings are added to it, until the final version includes a finished game of hangman the answer is school and several ornate doodles.

Rowlf pops up from behind one of the boards, and points to a round shape on the board and asks Kermit what it is.

Captain Hook is a featured article, which means it has been identified as one of the best articles produced by the Disney Wiki community. If you see a way this page can be updated or improved without compromising previous work, please feel free to contribute.

Process[ edit ] Animation productions begin by deciding on a story. The oral or literary source material must then be converted into an animation film script, from which the storyboard is derived. The storyboard has an appearance somewhat similar to a comic book, and it shows the sequence of shots as consecutive sketches that also indicate transitions, camera angles, and framing.

The images allow the animation team to plan the flow of the plot and the composition of the imagery. The storyboard artists will have regular meetings with the director and may have to redraw or “re-board” a sequence many times before it meets final approval. Voice recording[ edit ] Before true animation begins, a preliminary soundtrack or “scratch track” is recorded, so that the animation may be more precisely synchronized to the soundtrack.

Given the slow, methodical manner in which traditional animation is produced, it is almost always easier to synchronize animation to a pre-existing soundtrack than it is to synchronize a soundtrack to pre-existing animation. A completed cartoon soundtrack will feature music , sound effects , and dialogue performed by voice actors. However, the scratch track used during animation typically contains only the voices, any vocal songs to which characters must sing along, and temporary musical score tracks; the final score and sound effects are added during post-production.

In the case of Japanese anime , as well as most pre sound animated cartoons, the sound was post-synched; that is, the soundtrack was recorded after the film elements were finished by watching the film and performing the dialogue, music, and sound effects required. Some studios, most notably Fleischer Studios , continued to post-synch their cartoons through most of the s, which allowed for the presence of the “muttered ad-libs” present in many Popeye the Sailor and Betty Boop cartoons.

Animatic[ edit ] Often, an animatic or story reel is made after the soundtrack is created, but before full animation begins.

Hook Line and Sinker (1969)

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Your access to this site has been limited Your access to this service has been temporarily limited. Please try again in a few minutes. HTTP response code Reason: Access from your area has been temporarily limited for security reasons. Important note for site admins: If you are the administrator of this website note that your access has been limited because you broke one of the Wordfence advanced blocking rules.

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CALLAHEAD VIDEOS

Origins[ edit ] Many large budget silent films were storyboarded, but most of this material has been lost during the reduction of the studio archives during the s and s. The Art and Artists of Disney Storyboards , Hyperion Press , the first storyboards at Disney evolved from comic-book like “story sketches” created in the s to illustrate concepts for animated cartoon short subjects such as Plane Crazy and Steamboat Willie , and within a few years the idea spread to other studios.

According to Christopher Finch in The Art of Walt Disney Abrams, , Disney credited animator Webb Smith with creating the idea of drawing scenes on separate sheets of paper and pinning them up on a bulletin board to tell a story in sequence, thus creating the first storyboard. Furthermore, it was Disney who first recognized the necessity for studios to maintain a separate “story department” with specialized storyboard artists that is, a new occupation distinct from animators , as he had realized that audiences would not watch a film unless its story gave them a reason to care about the characters.

By or , all American animation studios were using storyboards. Gone with the Wind was one of the first live action films to be completely storyboarded.

Mama Hook with her son Captain Hook. In “Jake’s Starfish Search”, Hook and Smee were putting up a portrait of Mama Hook and, judging by the conversation, she has passed was the thought until she appeared in the Season 2 episode “Mama Hook Knows Best!Here, it was revealed that Mama Hook was once queen of the Never Sea and a magnificent pirate.

Origins[ edit ] The term “blooper” was popularized in America by television producer Kermit Schaefer in the s; the terms “boner” meaning a boneheaded mistake and “breakdown” had been in common usage previously. Schaefer produced a long-running series of Pardon My Blooper! Schaefer also transcribed many reported bloopers into a series of books that he published up until his death in Schaefer was by no means the first to undertake serious study and collection of broadcast errata; NBC ‘s short-lived “behind-the-scenes” series Behind The Mike —41 occasionally featured reconstructions of announcers’ gaffes and flubs as part of the “Oddities in Radio” segment, and movie studios had been producing so-called “gag reels” of outtakes usually for employee-only viewing since the s.

This was nominated for a Sony Award. The transmission of humorous mistakes, previously considered private material only for the ears of industry insiders, came to the attention of BBC Radio 2. The success of this series led to a further five series on Radio 2, as well as a small number of programmes called “Bloopers” on BBC Radio 4. Currently, Jonathan Hewat, who has a personal collection of 3, clips from over four decades of worldwide English-speaking broadcasting, feels that with clanger slots,[ clarification needed ] especially on TV, being taken over by Denis Norden and then by Terry Wogan and several others, they are no longer sufficiently unusual to warrant transmitting as complete programmes.

Hook Line and Sinker (1969)

Fixed cure ball appearing at world origin if was saved during drop animation. Main menu iteration changed lifepod lift bags to be more orange in colour, and less shiny. Fixed saving during cinematics in hardcore mode. Iteration on main menu sprites adjustment to to the rocket door closing cinematic to prevent chaos Fixed stray entities not registering anymore.

The Snow White and the Seven Dwarfs of computer animation (and therefore an extraordinarily influential part of The Renaissance Age of Animation), Toy Story is a renowned film from Pixar about toys that come to life when their owners aren’t around. It is the first installment of the titular film series and it has spawned two successful sequels, one in and the other in

Origins[ edit ] The term “blooper” was popularized in America by television producer Kermit Schaefer in the s; the terms “boner” meaning a boneheaded mistake and “breakdown” had been in common usage previously. Schaefer produced a long-running series of Pardon My Blooper! Schaefer also transcribed many reported bloopers into a series of books that he published up until his death in Schaefer was by no means the first to undertake serious study and collection of broadcast errata; NBC ‘s short-lived “behind-the-scenes” series Behind The Mike —41 occasionally featured reconstructions of announcers’ gaffes and flubs as part of the “Oddities in Radio” segment, and movie studios had been producing so-called “gag reels” of outtakes usually for employee-only viewing since the s.

This was nominated for a Sony Award. The transmission of humorous mistakes, previously considered private material only for the ears of industry insiders, came to the attention of BBC Radio 2. The success of this series led to a further five series on Radio 2, as well as a small number of programmes called “Bloopers” on BBC Radio 4. Currently, Jonathan Hewat, who has a personal collection of 3, clips from over four decades of worldwide English-speaking broadcasting, feels that with clanger slots,[ clarification needed ] especially on TV, being taken over by Denis Norden and then by Terry Wogan and several others, they are no longer sufficiently unusual to warrant transmitting as complete programmes.

Special Weakest Link themed editions were common during Robinson’s tenure, which lasted until Rufus Hound took over in Both were presented by Steve Penk , before the latter was changed to show continuous clips with voice-over by Neil Morrissey. The latter has also been criticised for being used as a simple schedule filler, often with ridiculously titled editions e.

How to use a Reel 2 Reel Tape Recorder